Lucy | Belgfrage | Opera Scholars Australia | 2021 |
Robyn | Gawenda | Footscray Community Arts | 2021 |
Penny | Harpham | Western Edge | 2021 |
Cessalee | Stovall | Malthouse | 2021 |
Kate | Sulan | RAUCUS | 2021 |
Michelle | Tseng | Melbourne FRINGE | 2021 |
Beau | Vigushin | Arts Centre Melbourne | 2020 |
Sainan | Wang | Epworth Hospital | 2020 |
Laura | Bignell | Royal Women’s Hospital | 2019 |
Annie | Howitt | Royal Women’s Hospital | 2019 |
Jo | O’Connor | Royal Women’s Hospital | 2019 |
Craig | Comrie | Teach for Australia | 2019 |
Madeleine | Cowell | Melbourne Youth Orchestra | 2019 |
Rhyll | Dorrington | Western Chances | 2019 |
Sue | Giles | PolyGlot | 2019 |
Connie | Lelliot | Epworth Hospital | 2019 |
Caitlin | McNaughton | Melbourne Fringe | 2019 |
Brigit | Ryan | Melbourne Fringe | 2019 |
Kate | Barnes | Royal Women’s Hospital | 2018 |
Edwyna | Wilson | Royal Women’s Hospital | 2018 |
Frances | Laing | Epworth Hospital | 2018 |
Marisa | Stevens | St Vincent’s Private Hospital | 2018 |
Sandra | Ball | Australian Ballet School | 2017 |
Jenny | Ryan | Royal Women’s Hospital | 2017 |
Donna | Smith | Royal Women’s Hospital | 2017 |
Jill | Butty | Royal Women’s Hospital | 2016 |
Michelle | Schwensen | Royal Women’s Hospital | 2016 |
Bree | Bulle | Royal Women’s Hospital | 2015 |
Alix | Candy | Royal Women’s Hospital | 2015 |
Cheree | Hunter | Foundation for Young Australians | 2015 |
Josh | Muir | Foundation for Young Australians | 2015 |
Sandra | Robertson | Melbourne Recital Centre | 2015 |
Julia | Truong | Western Chances | 2015 |
Ebony | Bott | Adelaide Cabaret Festival | 2014 |
Elizabeth | Hewett | Australian Ballet School | 2014 |
Liz | Hewett | Australian Ballet School | 2014 |
Marilyn | Rowe | Australian Ballet School | 2014 |
Sandra | Stoklossa | Arts Centre Melbourne | 2014 |
Janet (Janice) | Aldred | Guide Dogs Victoria | 2013 |
Dale | Baker | Australian Ballet School | 2013 |
Bernie | Manchee | Arts Centre Melbourne | 2013 |
Ivanka | Zebic | Arts Centre Melbourne | 2013 |
Thomas | Williams | ANAM | 2013 |
Émer | Harrington | Arts Centre Melbourne | 2012 |
Barrans | Nicola | Arts Centre Melbourne | 2012 |
Emma | Hunt | ANAM | 2012 |
Michaela | Kirkaldie | Australia Ballet School | 2011 |
Irina | Konstantinova | Australian Ballet School | 2011 |
Sarah | Penhall | Arts Centre Melbourne | 2011 |
Phoebe | Russell | ANAM | 2011 |
Liam | Dogger | Access Monash | 2017 |
Brodie | Hopkins | Access Monash | 2017 |
Jack (Trung Truc) | Huynh | Access Monash | 2017 |
Harry | Kaladis | Access Monash | 2017 |
Emily | Wilson | Access Monash | 2017 |
Juan (Joeii) | Hill | Access Monash | 2018 |
Zac | Murfet | Access Monash | 2018 |
Edina | Omerovic | Access Monash | 2018 |
Sean | Paulding | Access Monash | 2018 |
Maddison | Pearson | Access Monash | 2018 |
Dharmakeerthi (Namik) | Perera | Access Monash | 2018 |
Rebecca | Postlethwaite | Access Monash | 2018 |
Nikola | Reljic | Access Monash | 2018 |
Angus | Rogers | Access Monash | 2018 |
Preeti | Shukla | Access Monash | 2018 |
Trinity | Woodman | Access Monash | 2018 |
Sarah | Brackenridge | Access Monash | 2019 |
Kelsy | De Prada | Access Monash | 2019 |
Alice | Kunjumon | Access Monash | 2019 |
Brooke | Massee | Access Monash | 2019 |
Tanya | Milnes | Access Monash | 2019 |
Antara | Naim | Access Monash | 2019 |
Jennifer | Nguyen | Access Monash | 2019 |
Regina | Nguyen | Access Monash | 2019 |
Ivy | Phan | Access Monash | 2019 |
Kealan | Pugsley | Access Monash | 2019 |
Arnhie | San Juan | Access Monash | 2019 |
Daniel | Gouthro-Dowling | Access Monash | 2020 |
Jack | Hargraves | Access Monash | 2020 |
Ananya | Kaswan | Access Monash | 2020 |
Rossalean | To | Access Monash | 2020 |
Nick | Jones | Opera Scholars Australia | 2009 |
Nathan | Lay | Opera Scholars Australia | 2010 |
Alexandar | Flood | Opera Scholars Australia | 2011 |
Kate | Amos | Opera Scholars Australia | 2011 |
Georgia | Wilkinson | Opera Scholars Australia | 2012 |
Anna | Voshege | Opera Scholars Australia | 2013 |
Jessica | Boyd | Opera Scholars Australia | 2014 |
Rebecca | Rashleigh | Opera Scholars Australia | 2015 |
Stephen | Marsh | Opera Scholars Australia | 2016 |
Madeline | Crombie | Opera Scholars Australia | 2017 |
Shimona | Rose | Opera Scholars Australia | 2018 |
Chole | Harris | Opera Scholars Australia | 2019 |
Emilia | Bertolini | Opera Scholars Australia | 2020 |
Leah | Philips | Opera Scholars Australia | 2021 |
“Betty believed in me, trusted me, and pushed and pushed and pushed me to achieve.”
1. What did the Award enable you to do (what activity did you undertake)?
Together with my then Polyglot colleague and forever friend Sue Giles, Betty supported us to travel to attend the ASSITEJ international children’s theatre congress in Copenhagen and Malmo in 2010. We saw shows, took part in conversations, extended our networks and broadened our minds.
2. What impact has the Award had on your life and career?
The 2010 trip to Copenhagen and Malmo was eye opening – I still remember seeing a work called Kalejdoskop by a Danish company called Carte Blanche, in which we crawled through a labyrinth in a constantly changing physical environment. It’s still one of the best things I’ve seen and reminded me that children’s theatre is the perfect place for experimental artwork, because children don’t come to art with expectations or form or content – they come to it with open minds and curiosity. Betty was also a supporter, friend, mentor and colleague who was not just patron of our Polyglot Foundation but also a collaborator with whom we discussed strategy and big picture ideas. She gave me career advice, and told me when I’d got it wrong. I gave her advice about other arts organisations and told her what I really thought. We’d have terse words, she’d say “I told you so” and give me that twinkle eye. Most importantly, she believed in me, trusted me, and pushed and pushed and pushed me to achieve.
“Betty would always challenge me to think broadly, try new approaches and ensured that I was grounded in my business decisions.”
I was first introduced to Betty Amsden in 2013 through my Ambassadorship position at a charity that Betty was supporting. I was 19 at the time, freshly graduated from the University of Melbourne, Victorian College of the Arts and I was keen to pursue my passion for events and production management as a business. Whilst everyone around me encouraged me to start my own business, I required someone to provide me with a realistic view of what lies ahead – Betty did this. In our meeting, Betty drew a bell curve graph, explaining what I need to expect as an entrepreneur in the next 10 years. Betty was real in her approach and encouraged me to find a part-time job in a large corporation to ensure I am well rounded in my experiences. I listened and was able to pick up a parttime events role at a university. Within three months, I was promoted twice and was exposed to the nuisances of how to manage a diverse range of stakeholders. With this position, I grew as an individual, whilst being able to continue to pursue my freelance work. Within a year, I built enough clients to leave my position and dived into the business full time.
2. What impact has the mentorship had on your life and career?
Betty would always challenge me to think broadly, try new approaches and ensured that I was grounded in my business decisions. Her mentorship allowed me to realise at an early stage in my career that being a business owner is not simple and that there will be plenty of knockbacks and challenges along the way. With this realisation, I felt more prepared as I continued to grow JT. Production Management. Now, seven years on from our first meeting, my ‘freelance’ business has become a company, with a team of employees, a portfolio of our 45 brands, delivering an average of 50 events a year. Betty’s feedback wasn’t always pretty, though her honesty has helped shape my career.
“My personal and professional development as a result of this award allowed me to be successful in my next career move just after Betty passed away. We had completed our four years of the program together and it was time for us both to move on.”
With Betty’s award I travelled to Denmark and the UK in 2011 to attend two festivals of theatre for young people. I attended Danish Plus in Aarhus in Denmark which was a bi-annual showcase of work by the leading Danish companies making work for children and families. I then attended Imaginate Festival in Edinburgh which presented work from all over the world. I had numerous meetings and developed new relationships and networks.
2. What impact has the Award had on your life and career?
The travel that I undertook, the theatre that I saw and the international colleagues that I met and developed relationships with helped me develop my confidence in my own programming talent and enabled me to grow the families program at Arts Centre Melbourne. It was a tremendous step for me to take. My work gained more attention and I was promoted through a restructure soon after. I also developed a stronger working and personal relationship with Betty who became a great supporter of my team and me and we went on to work very closely together in developing the Betty Amsden Participation Program at Arts Centre Melbourne. This program allowed me to create real and impactful change and is one of my proudest career highlights.
“Simply being afforded this opportunity has given me a renewed confidence in my capability, knowledge and skills.”
The Betty Amsden Award took me to New York City where I undertook a course in Leading Strategic Growth and Change. The program was focused on leading significant changes within organisations working strategically to build cross-organisational buy in, reduce resistance and achieve outcomes.
2. What impact has the Award had on your life and career?
Being a career not-for-profit staff member, having the opportunity to participate in a program at an Ivy League school like Columbia University is not something that happens often. Simply being afforded this opportunity has given me a renewed confidence in my capability, knowledge and skills. The course itself came at a time where I was leading a large change process within my organisation with varied success. It gave me a new way of orientating my thinking toward the change process and gave me unique ideas about how I could overcome the challenges we were experiencing.